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dc.contributor.authorClarke, Alissaen
dc.date.accessioned2013-09-24T15:05:10Z
dc.date.available2013-09-24T15:05:10Z
dc.date.issued2013
dc.identifier.citationClarke, A. (2013) Orgasms and Oppositions: Dani Ploeger’s ELECTRODE’, ‘Critical Acts’. The Drama Review, 57: 3, pp. 158-163.en
dc.identifier.issn1054-2043
dc.identifier.urihttp://hdl.handle.net/2086/9060
dc.description.abstractIn his performance installation, ELECTRODE (2011), Dani Ploeger repeatedly “fakes” orgasms. Using medical devices, digital sound synthesis, and graphs, Ploeger rigorously and specifically labors to replicate the sphincter muscle contraction pattern registered by an anonymous male subject during masturbation and orgasm. In so doing, Ploeger critically explores gender and abjection and creates a heightened, embodied presence.en
dc.language.isoen_USen
dc.publisherThe Drama Reviewen
dc.subjectPerformance Arten
dc.subjectbodyen
dc.subjectgenderen
dc.subjectsexualityen
dc.titleOrgasms and Oppositions: Dani Ploeger’s ELECTRODEen
dc.title.alternativeCritical Actsen
dc.typeArticleen
dc.identifier.doihttps://doi.org/10.1162/dram_a_00286
dc.researchgroupDrama Research Group
dc.peerreviewedYesen
dc.fundern/aen
dc.projectidn/aen
dc.researchinstituteCinema and Television History Institute (CATHI)en
dc.researchinstituteInstitute of Drama, Dance and Performance Studiesen


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