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dc.contributor.authorClarke, Alissaen
dc.contributor.authorPloeger, Danielen
dc.date.accessioned2013-09-23T15:18:37Z
dc.date.available2013-09-23T15:18:37Z
dc.date.issued2013
dc.identifier.citationClarke, A. and Ploeger, D. (2013) Drama and Performance. In: Tucker, David (ed.), The Year’s Work in Critical and Cultural Theory, 21, Oxford: Oxford University Press. pp. 228-255en
dc.identifier.urihttp://hdl.handle.net/2086/9058
dc.description.abstractThis chapter focusses on work in Drama and Performance Studies published between late 2010 and early 2012 and is divided into two sections: 1. Technology, Culture and Species by Daniël Ploeger looks at performance practices that move along and across the boundaries between humanness, technology and animality; 2. Sensoriality, Politics and Praxis by Alissa Clarke reviews texts that pursue social change, ethical, reflexive behaviour and the unified treatment and application of: theory and practice, body and mind, form and content, and thought, action and emotion.en
dc.language.isoenen
dc.publisherOxford University Pressen
dc.subjectDrama and Performance Studiesen
dc.subjectSensorialityen
dc.subjectPolitics and Praxisen
dc.titleDrama and Performanceen
dc.typeBook chapteren
dc.identifier.doihttp://dx.doi.org/10.1093/ywcct/mbt011
dc.researchgroupDrama Research Group
dc.peerreviewedYesen
dc.funderN/Aen
dc.projectidN/Aen
dc.researchinstituteCinema and Television History Institute (CATHI)en
dc.researchinstituteInstitute of Drama, Dance and Performance Studiesen


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