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dc.contributor.authorHawksley, Jennieen
dc.date.accessioned2013-04-12T15:54:49Z
dc.date.available2013-04-12T15:54:49Z
dc.date.issued2000
dc.identifier.citationHawksley, J. (2000) Continuity of practice versus change in circumstance: GDR visual culture and the East German artists. An examination of the work of Via and Pina Lewandowsky. In: Cooke, P. and Grix, J. (eds.) German monitor: East Germany continuity and change. Amsterdam: Rodopi Press, pp. 57-66.en
dc.identifier.isbn9042005793
dc.identifier.urihttp://hdl.handle.net/2086/8345
dc.description.abstractThis paper examines the work of artists Via and Pina Lewandowsky. As young artists, trained in the GDR but entering post-educational practice just a year or two prior to the Wende, their artistic activity spans the turbulent period. They have successfully entered and negotiated the field of professional artistic practice during the decade since then. This examination of a small part of their work situates their continuting artistic practice in the broader context of issues concerning the place of the visual cultural heritage of the GDR in the current and future culture of a politically and economically unified Germany.en
dc.language.isoenen
dc.publisherRodopi Pressen
dc.subjectEast German Artistsen
dc.subjectVia Lewandowskyen
dc.subjectPina Lewandowskyen
dc.titleContinuity of practice versus change in circumstance: GDR visual culture and the East German artists. An examination of the work of Via and Pina Lewandowsky.en
dc.typeBook chapteren


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