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dc.contributor.authorEgan, Gabrielen
dc.date.accessioned2012-08-29T15:18:41Z
dc.date.available2012-08-29T15:18:41Z
dc.date.issued2004
dc.identifier.citationEgan, G. (2004) Pericles and the textuality of theatre. Paper Delivered at the Conference 'From Stage to Print in Early Modern England' at the Huntington Library, San Marino CA, USA, 19-20 Marchen
dc.identifier.urihttp://hdl.handle.net/2086/7019
dc.description.abstractThe subtitle of our meeting, 'From Stage to Print in Early Modern England, posits a movement in one direction, from performance to printed book. This seems reasonable since, whereas modern actors usually start with a printed text of some form, we are used to the idea that early modern actors started with manuscripts and that printing followed performance. In fact, the capacity of a printed play to originate fresh performances was something that the title-pages and the preliminary matter of the first play printings in the early sixteenth century made much of....en
dc.language.isoenen
dc.titlePericles and the textuality of theatreen
dc.typeOtheren
dc.researchgroupEnglish Research Groupen
dc.researchinstituteInstitute of Englishen


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