Now showing items 1-10 of 13
Much of my research to date has been concerned with the relationship between acousmatic compositional practice and sound art. In Batchelor 2015, I attempted to identify some potential overlaps and compatibilities between ...
Through the Looking Glass: Reflectivity vs Transparency; and the embedding of Place through Sound.
(University of Lapland, 2018-07-01)
Presenting electroacoustic music has traditionally involved large spaces and high quality listening environments set up in (very often) architecturally imposing spaces. Recent works of mine involve the development of ...
Left To Our Own Devices, track on Dervish House, musical album by Memory Wire
(Zorpin Music, Leicetser, 2017-06-22)
A musical sound recording using digital processing of acoustic musical instruments
Memory Machine is a ‘concert installation’ piece. It is a variable work which will rarely be heard exactly the same twice. But it has a basic form that remains the same – a beginning, a series of evolving episodes and an ...
Multimodality in Audiovisual Art
This article discusses aspects of multimodality raised in connection with audiovisual art, with reference to works by visual artist Merja Nieminen and sound artist James Andean, with a primary focus on the installation ...
An electroacoustic society: schismogenetical trends in Trevor Wishart's Globalalia
(De Montfort University, 2014-08)
I have for many years had ideas for a piece based on the notion of Odyssey, that original story of journey – often frustrated – and eventual return. In recent years it has developed and become a multi-part project, encouraged ...
Emergence des dimensions temporelles dans la musique électroacoustique
La musique électroacoustique, pour celui qui l’analyse ou qui la compose, présente, de par la difficulté de la réduire – à une notation, à une structure, à un style, … – un objet d’étude polymorphe. Au travers d’exemples, ...
Gravitational Landscape (with tinnitus)
Gravitational Landscape is an experiment made of algorithmic procedures drawn from mathematics and/or physical laws (what happens when you compose without musical references?) using mainly unstable sound synthesis techniques ...
Splices and Alloys: Emergent Qualities in Electroacoustic Music
(SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, 2016-11)
There is a tendency in electroacoustic music analysis to focus on the description of sound morphologies – from Pierre Schaeffer’s typomorphology to Denis Smalley’s spectromorphology – frequently leaving aside issues related ...