Now showing items 1-10 of 12
Victoria University of Wellington Electroacoustic Music Studios [Studio Report]
(International Computer Music Association, 2000)
An outline of the origins of the Victoria University [of Wellington] Electroacoustic Music Studios is given, especially in relation to continued emphasis on the use of environmental sound sources. Descriptions of current ...
Five Versions of Reality
Five Versions of Reality is a stereo acousmatic composition. It was created using field recordings from five different locations (Paris, Prague, Helsinki, Christchurch and Corfu) and digital audio processing tools.
The core research idea in this work is to address the problem of integrating electroacoustic redesign of instrumental sound spectra within a live performance context. The piece consists of 70 pre-composed sound files ...
The interaction of sound identities in electroacoustic music.
Electroacoustic music technology allows for the creation of distinctive ‘hybrid’ interactions between sounds, since features defining the identity of one sound object (such as dynamic profile or spectral envelope) can be ...
Notes, Sounds, Outside and Insides: Perspectives on Pitch in Acousmatic Music
Acousmatic music has facilitated some of the most radical extensions of musical materials and methods available to the composer, moving beyond the traditional instrumental paradigm centred on melodic and harmonic forms ...
Sju ... Who?
(De Montfort University, 2001)
This paper presents a discussion of the motivations and techniques used in the author’s electroacoustic work Sju. The piece is based on digital recordings of a Swedish word that, in daily Swedish, is pronounced in two ...
(Musiques et recherches, Brussels; MIT Press, Cambridge, MA, 2009)
This work investigates the projection of narrative in acousmatic music through the integration of a minimal amount of spoken text and digitally processed real world sounds. Within that frame a further imperative is evocation ...
The extended environment.
(International Computer Music Association, 1994)
The potential in electroacoustic music to amalgamate sounds of natural real-world sources with the powerful signal processing and synthesis offered by computers makes possible interplay between different levels of sonic ...
(Accademia Musicale Pescarese, 1999)
An electroacoustic composition based on digital transformation of a variably pronounced Swedish word.
(First performed Espace du Son Festival, Théâtre Marni, Brussels, 21 November 2013., 2013)
The title of this work is derived from an E. E. Cummings poem—evoking imagery of twilight as a vast spatial canvas for birdsong and a zone of spiritual reflection. In the work I wanted to create the sense of intimate ...