Now showing items 1-10 of 21
Forms of Space
This output consists of two movements of acousmatic music, premiered in full at the 2013 Espace du Son Festival, Brussels. The work aims to project as themes not solely the gestural, spectral and referential materials ...
Reflections on sound image design in electroacoustic music
(Cambridge University Press, 2007-04-01)
Lieu-temps [Of time and place] (2007) (Ricordiamo Forlì, 2005 - 53'30", Arrivederci, 2005 - 15'40") DVD-A (digital audio media), Empreintes digitales iMED0787, Montréal, 2007
(Empreintes Digitales, Montréal, 2007-12-01)
Half-heard sounds in the summer air: Electroacoustic music in Wellington and the South Island of New Zealand.
(Cambridge University Press, 2001-04)
This article traces the evolution of electroacoustic music in Wellington and the South Island of New Zealand. Electroacoustic music has a well-established tradition in New Zealand, dating back to Douglas Lilburn’s pioneering ...
An Angel at Mons
(Premiered eBuzz Festival, Salle Claude-Champagne, University of Montréal, 25 April 2014., 2014)
John Ewings was among the few people who claimed to have witnessed the vision of an angel on the battlefield at Mons in August 1914. In 1980, aged 101, he gave a compelling account of his experience in an interview for ...
Inventing memory: Documentary and imagination in acousmatic music.
(Middlesex University Press, 2008)
The potential for sound recording to act as a surrogate for memory is evaluated in terms of its use in the composition of acousmatic music. Adapted from the writing of Walter Benjamin, sound recording of real-life events ...
Time, Motion and Memory
(Empreintes Digitales, Montréal, 1997)
A swing was one of my favourite childhood playthings. Its gentle motion and plaintive sound opened for me a very intimate world of contemplation, fantasy and imagination. This piece could be thought of as a sonic environment ...
Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition
Compositional activity in electroacoustic music is central to the research culture of that field. Electroacoustic tools for sound manipulation and transformation allow the creation of sound materials that present new ...
Tongue (2001, 13'47) electroacoustic composition