Now showing items 31-35 of 35
In Bad Taste? Vomit and Disgust in Paul McCarthy’s Performances of the 1970s
(Taylor & Francis, 2018-03-22)
In the 1970s, Los Angeles-based artist Paul McCarthy made visceral performances which appealed to audiences’ innermost feelings of disgust and revulsion. Using everyday materials – notably, consumable foodstuffs – such as ...
Postcards explores augmented conversations across time, place, technology and people. The source material is a collection of long-distant conversations between several people immutably bound together. The central texts are ...
Revisiting "No to spectacle": self unfinished and Véronique Doisneau.
(Narr Francke Attempto Verlag GmbH + Co. KG., 2008)
This essay presents readings of Jérôme Bel's 'Veronique Doisneau' and Xavier Le Roy's 'Self Unfinished' that examines the social and political implications of their use of experimental artistic strategies. It places these ...
#unicornthings is a media archaeology of the GIF as performance to camera and as experimental cabaret.
(Cambridge University Press, 2014)
This chapter looks to recent and established positions in the fields from which stylistics and performance might respectively be plucked and offers, with further reference to cognate critical theories, an analysis ...