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Kaleidoscope: Cycle (multichannel electroacoustic compositions, 2013)
Fissure (2006) [completed prior to REF period; submitted for RAE 2008] Nebula (2012) Pulse (2013) Fuse (2013) This series continues my exploration of spatialisation strategies in the composition of multichannel ...
About the Electroacoustic Resource Site (EARS) Project
(Sonic Arts Network, 2003-11)
A brief description of the EARS project
Reviewing the Musicology of Electroacoustic Music: a plea for greater triangulation
(Cambridge University Press, 1999-04)
Both electroacoustic music and its associated musicology are a half century old. Although the number of relevant technological developments during this time could be said to be extremely high, its music has known relatively ...
Inventing memory: Documentary and imagination in acousmatic music.
(Middlesex University Press, 2008)
The potential for sound recording to act as a surrogate for memory is evaluated in terms of its use in the composition of acousmatic music. Adapted from the writing of Walter Benjamin, sound recording of real-life events ...
La synthèse sonore: enfin l’émancipation?
(Groupe de musique expérimentale de Marseille (GMEM), 2002-05)
Cet article est basé sur un jeu de mots. La synthèse sonore est, bien sûr, la création de sons par des moyens analogiques ou numériques. Il y a par contre quelque chose qui m’intéresse au plus haut point, à savoir la ...
Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition
Compositional activity in electroacoustic music is central to the research culture of that field. Electroacoustic tools for sound manipulation and transformation allow the creation of sound materials that present new ...