Now showing items 1-10 of 11
Kaleidoscope: Cycle (multichannel electroacoustic compositions, 2013)
Fissure (2006) [completed prior to REF period; submitted for RAE 2008] Nebula (2012) Pulse (2013) Fuse (2013) This series continues my exploration of spatialisation strategies in the composition of multichannel ...
Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition
Compositional activity in electroacoustic music is central to the research culture of that field. Electroacoustic tools for sound manipulation and transformation allow the creation of sound materials that present new ...
En el Límite 1/1
(CEPSA/UNLa (Univ. Nacional de Lanús, Argentina), 2010-10)
(First performed at the New Walk Museum, Leicester, 12 April 2015, by Carla Rees (alto flute), Heather Roche (clarinet/bass clarinet), Xenia Pestova (piano) and John Young (sound projection)., 2015)
Sir Thomas Armstrong, a former principal of the Royal Academy of Music and a veteran of the First World War, once stated that there is a falsity about the reporting of all battle scenes. In the face of the most shatteringly ...
The Analysis of Electroacoustic Music, the Differing Needs of its Genres and Categories
(Electroacoustic Music Studies Network, 2012)
This paper reports on our (Arts and Humanities Research Council funded) project New Multimedia Tools for Electroacoustic Music Analysis, designed for a range of genres, drawing together existing methods, engaging the latest ...
eOrema – a word of welcome