Browsing School of Arts by Title

0 & 1: Cyberspace and the myth of gender.

0 to 10,000,000 (commission for Oxford University Biochemistry Department)

Context The Biochemistry Department at Oxford University in collaboration with architects Hawkins Brown commissioned four artists to make permanent art works for their new building. The project was called Saltbridges ...

The 1908 Olympics and the Entente Cordiale

Polley, Martin (Article)

200 Words

Clarke, Louise (Article)

200 Words is one of two short texts in the book of ideas by performance and endurance artist John Court published in 'an idea of performance a idea of art: By John Court' (Frame Contemporary Art, Finland 2017). This ...

A. J. Cook, D. H. Lawrence, and Revolutionary England: Discourses and Performances of Region and Nation in 1926

Featherstone, S. (Book chapter)

Focusing on the coincidence of journeys to the East Midlands made by D. H. Lawrence and the Secretary of the Miners' Federation of Great Britain, Arthur Cook, the chapter explores the ways in which the two men represented ...

About the Electroacoustic Resource Site (EARS) Project

Landy, Leigh; Atkinson, Simon (Article)

A brief description of the EARS project

Abstraction, reality and the loudspeaker

Atkinson, Simon (Other)

The acoustic DNA of Mumbai and Antarctica.

Vear, Craig (Conference)

Acoustic Ecology website

Vear, Craig (Other)

Following a research fellowship with British Antarctic Survey (2003-4) [ http://earthear.com/antarctica.html ] I developed a project with the Centre for Environmental and Marine Sciences (CEMS-Hull University) funded by ...

Adam Gillam, Joe Orton, Kenneth Halliwell

Gillam, A. M. (Image)

This exhibition brought together a rare opportunity to view a selection of the defaced dust jackets by the late Joe Orton and his lover Kenneth Halliwell alongside a number of artworks produced specifically for and within ...

Advance Error by Error, with Erring Steps”: Embracing and Exploring Mistakes and Failure Across the Psychophysical Performer Training Space and the Page

Clarke, Alissa (Article)

‘Affective’ choreographies: A close look at the potentiality for considering ‘philosophy as performance’ in specific relation to digital dancing’.

Francksen, Kerry (Conference)

Africanist choreography as cultural citizenship: Thomas ‘Talawa’ Prestø’s philosophy of Africana dance.

Adewole, Funmi (Book chapter)

This essay addresses how Africanist choreography operates as a practice of cultural citizenship, focussing on the work of Thomas ‘Talawa’ Prestø as a leading figure in shaping the cultural sphere for choreography based on ...

Aftermaths of Performance: Artists who make an “awful mess”

Curtis, Harriet (Conference)

In 1983, Los Angeles-based artist Paul McCarthy organised a programme of ‘like-minded artists’ whose performances make ‘an awful mess and walks an erratic line between horror and humor’ (1983). Featuring the work of the ...

Akram Khan’s 'Until the Lions’

Stevens, Jayne (Presentation)

'Until The Lions' is both a new dance work by choreographer Akram Khan and a collection of poems by writer Karthika Nair. Nair’s collection revisits the HIndu epic the Mahabharata to retell stories through the voices of ...

Alone into the world: reflections on solos from 1919 by Vaslav Nijinsky and Mary Wigman.

Burt, Ramsay, 1953- (Book chapter)

“Am I Providing a Good Show for You?” Female Performance, Labor and Collaborative Agency in Niki de Saint Phalle and Peter Whitehead's Daddy (1973)

Clarke, Alissa (Article)

French artist, Niki de Saint-Phalle, and British counter-culture filmmaker, Peter Whitehead’s underground film collaboration, Daddy (1973), is a sexually explicit surrealist pop art Freudian rape revenge fantasy. It stems ...