Tactile surfaces can display useful information in a variety of applications for blind, visually-impaired and even sighted users. One example is the use of paper-based tactile maps as navigational aids for interior and ...

Navigation within historic spaces requires analysis of a variety of acoustic, proprioceptive and tactile cues; a task that is well-developed in many visually-impaired individuals but for which sighted individuals rely ...

This paper claims that the use of the computer as generative methodological tool for designing urban and building scenarios (when perceived systematically) is a misnomer, because the typical approach does not account for ...

‘The attributes of liminality or of liminal personae (“threshold people”) are necessarily ambiguous, since this condition and these people elude or slip through the network of classifications that normally locate states ...

This paper presents an historical survey of the live project in architectural education, proposing that the live project can be conceptualised within three distinct periods: a modern period, a transitional period, and a ...

Sir Edwin Lutyens was one of the foremost English architects of his day and was invited in 1919 to design a war memorial for the city of Leicester. For Lutyens the architectural challenge was to express in stone the profound ...

Space is a product of semiosis. It is a condition pertinent to an organism’s semiotic freedom, which is articulated by the organism as a consequence of its capacity to manipulate the world in the course of its unfolding ...

Creating visualisations of historic buildings and interiors from partial evidence requires realistically implementable strategies for managing the evidence upon which they are based and for documenting the decisions taken ...

Creativity in the natural and human worlds is distinct. Designers have always looked to nature as a source of inspiration and in recent decades the computer has been used as a tool to engage with the self-organising and ...

The cathedral of St. George of the Greeks was built in the 14th – 15th c. in Famagusta, Cyprus to accommodate the religious needs of the Greek orthodox community living under a Frankish aristocracy. Its design is a hybrid ...