• Login
    View Item 
    •   DORA Home
    • Faculty of Art, Design and Humanities
    • School of Arts
    • View Item
    •   DORA Home
    • Faculty of Art, Design and Humanities
    • School of Arts
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    The interaction of sound identities in electroacoustic music.

    Thumbnail
    View/Open
    Sound examples as identified in the text (2.141Mb)
    Young_ICMC2002example_2.aif (1.014Mb)
    Young_ICMC2002example_3.aif (1.844Mb)
    Young_ICMC2002example_4.aif (2.068Mb)
    Young_ICMC2002example_5.aif (2.170Mb)
    Young_ICMC2002example_6.aif (2.131Mb)
    Young_ICMC2002example_7.aif (1.826Mb)
    Young_ICMC2002example_8.aif (943.4Kb)
    Young_ICMC2002example_9.aif (2.648Mb)
    Young_ICMC2002example_10.aif (2.246Mb)
    Young_ICMC2002example_11.aif (2.243Mb)
    Young_ICMC2002example_12.aif (5.803Mb)
    Young_ICMC2002example_13.aif (2.856Mb)
    Young_ICMC2002example_14.aif (1.316Mb)
    Young_ICMC2002example_15.aif (4.000Mb)
    Young_ICMC2002example_16.aif (1.638Mb)
    Young_ICMC2002example_17.aif (2.816Mb)
    Young_ICMC2002example_18.aif (2.722Mb)
    Young_ICMC2002example_19.aif (812.4Kb)
    Young_ICMC2002example_20.aif (1.547Mb)
    Young_ICMC2002example_21.aif (2.437Mb)
    Young_ICMC2002example_22.aif (1.854Mb)
    Young_ICMC2002example_23.aif (4.162Mb)
    Young_ICMC2002example_24.aif (4.177Mb)
    Young_ICMC2002example_25.aif (4.020Mb)
    Young_ICMC2002example_26.aif (3.410Mb)
    Young_ICMC2002example_27.aif (2.141Mb)
    Young_ICMC2002example_28.aif (2.141Mb)
    Date
    2002
    Author
    Young, John
    Metadata
    Show attachments and full item record
    Abstract
    Electroacoustic music technology allows for the creation of distinctive ‘hybrid’ interactions between sounds, since features defining the identity of one sound object (such as dynamic profile or spectral envelope) can be fused with or imposed on those of another. The spectromorphological features of a sound that remain invariant or recognisable through transformation of this kind are termed the idio-morphology, while the characteristics superimposed on the sound are termed the exo-morphology. This paper emphasises the interaction of sound and transformation processes in these terms, as well as the potential for processes of sound transformation to generate distinctive morphological identities. The material presented here represents the initial expression of an approach to composition based on commonly used digital signal processing tools. Emphasis is placed here on perceptual criteria that are of relevance to the composer’s utilisation and control of signal processing routines, and which ultimately may provide useful perspectives on more widely applied music analysis.
    Description
    Citation : Young, J. (2002) The Interaction of Sound Identities in Electroacoustic Music. Proceedings of the 2002 International Computer Music Conference Göteborg: International Computer Music Association: pp. 342-348.
    URI
    http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=icmc;idno=bbp2372.2002.070;cc=icmc;view=image
    http://hdl.handle.net/2086/4766
    ISBN : 9189262042
    Research Group : Music, Technology and Innovation Research Centre
    Research Institute : Music, Technology and Innovation - Institute for Sonic Creativity (MTI2)
    Peer Reviewed : Yes
    Collections
    • School of Arts [775]

    Submission Guide | Reporting Guide | Reporting Tool | DMU Open Access Libguide | Take Down Policy | Connect with DORA
    DMU LIbrary
     

     

    Browse

    All of DORACommunities & CollectionsAuthorsTitlesSubjects/KeywordsResearch InstituteBy Publication DateBy Submission DateThis CollectionAuthorsTitlesSubjects/KeywordsResearch InstituteBy Publication DateBy Submission Date

    My Account

    Login

    Submission Guide | Reporting Guide | Reporting Tool | DMU Open Access Libguide | Take Down Policy | Connect with DORA
    DMU LIbrary