The Three Paths: Cultural retention in Chinese Electroacoustic Music
This chapter investigates aspects of Chinese electroacoustic music history within the academy (Central Conservatory of Music, Beijing) and with work from independent artists. It focuses on three elements common to working in this country: the use of the nation's musical instruments and musical approaches, samples taken from Chinese music, and extra-musical aspects from Chinese culture.
Citation : Landy, L. (2018) The Three Paths: Cultural retention in Chinese Electroacoustic Music. In: Emmerson, S. (Ed.) The Routledge Research Companion to Electronic Music: Reaching out with technology. Abingdon: Routledge, pp. 77-95.
ISBN : 9781472472915
Research Group : Music, Technology and Innovation Research Centre
Research Institute : Music, Technology and Innovation - Institute for Sonic Creativity (MTI2)
Peer Reviewed : Yes
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