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dc.contributor.authorEmmerson, Simonen
dc.date.accessioned2017-03-29T09:46:35Z
dc.date.available2017-03-29T09:46:35Z
dc.date.issued2017
dc.identifier.citationEmmerson, S. (2017) Performance with Technology: Extending the Instrument – From Prosthetic to Aesthetic. In: The Routledge Companion to Sounding Art (Marcel Cobussen, Vincent Meelberg and Barry Truax eds.), New York: Routledge, pp.427-437en
dc.identifier.isbn9781138780613
dc.identifier.urihttp://hdl.handle.net/2086/13937
dc.description.abstractA discussion on the evolution of live electronic and interactive musics - the relationship of live performer to technology. The idea of 'space frames' is developed. As the live performance reaches wider (prosthesis) control over what is heard 'out there' in the listener's space becomes problematic - we need new ideas of 'foldback' (monitors) to the performer.en
dc.language.isoenen
dc.publisherRoutledge (Taylor and Francis)en
dc.subjectmusic technologyen
dc.subjectlive electronicen
dc.subjectprosthesisen
dc.subjectmusicen
dc.subjectspaceen
dc.subjectperformanceen
dc.subjectensemblesen
dc.titlePerformance with Technology: Extending the Instrument – From Prosthetic to Aestheticen
dc.typeBook chapteren
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.funderN/Aen
dc.projectidN/Aen
dc.cclicenceN/Aen


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