Performance with Technology: Extending the Instrument – From Prosthetic to Aesthetic
A discussion on the evolution of live electronic and interactive musics - the relationship of live performer to technology. The idea of 'space frames' is developed. As the live performance reaches wider (prosthesis) control over what is heard 'out there' in the listener's space becomes problematic - we need new ideas of 'foldback' (monitors) to the performer.
Citation : Emmerson, S. (2017) Performance with Technology: Extending the Instrument – From Prosthetic to Aesthetic. In: The Routledge Companion to Sounding Art (Marcel Cobussen, Vincent Meelberg and Barry Truax eds.), New York: Routledge, pp.427-437
ISBN : 9781138780613
Research Group : Music, Technology and Innovation Research Centre
Research Institute : Music, Technology and Innovation - Institute for Sonic Creativity (MTI2)
Peer Reviewed : Yes
- Leicester Media School