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dc.contributor.authorAndean, Jamesen
dc.contributor.authorNieminen, Merjaen
dc.date.accessioned2016-04-11T15:20:24Z
dc.date.available2016-04-11T15:20:24Z
dc.date.issued2016-01
dc.identifier.citationAndean, J. & Nieminen, M. (2016) Multimodality in Audiovisual Art. In: Stranska, L. and Zénouda, H. (eds.) Son – Image – Geste: Une interaction illusoire?, Paris: L'Harmattan, pp. 82-93en
dc.identifier.isbn9782343069043
dc.identifier.urihttp://hdl.handle.net/2086/11863
dc.description.abstractThis article discusses aspects of multimodality raised in connection with audiovisual art, with reference to works by visual artist Merja Nieminen and sound artist James Andean, with a primary focus on the installation ‘Re:**** Sitruuna ja meduusa’. The work and its methods are described, with a particular emphasis on relationships between sound and visuals, including key parameters, interaction, and a number of early attempts to balance sonic and visual elements. The extension of the themes and methods of ‘Re:**** Sitruuna ja meduusa’ in a later collaboration, ‘Cleome/Gliese 902’, is discussed, as well as the relative importance and implication of the real-time aspect of these installations.en
dc.language.isoenen
dc.publisherL'Harmattanen
dc.subjectAudiovisualen
dc.subjectinstallationen
dc.subjectinstallationen
dc.subject3d animationen
dc.subjectelectroacousticen
dc.subjectreal-timeen
dc.titleMultimodality in Audiovisual Arten
dc.title.alternativeSon – Image – Geste: Une interaction illusoire?en
dc.typeBook chapteren
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.explorer.multimediaNoen
dc.funder-en
dc.projectid-en
dc.cclicenceCC-BY-NCen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


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