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dc.contributor.authorVear, Craigen
dc.date.accessioned2015-12-01T11:25:09Z
dc.date.available2015-12-01T11:25:09Z
dc.date.issued2015
dc.identifier.citationVear, C. (2015) Three Last Letters. http://composersedition.com/composers/craigvear/ce-cv1tll1en
dc.identifier.urihttp://composersedition.com/composers/craigvear/ce-cv1tll1
dc.identifier.urihttp://hdl.handle.net/2086/11386
dc.descriptionThree Last Letters is a music composition that imagines the last moments in the minds of Scott, Wilson and Bowers before they die in a tent, alone on an Antarctic Ice Shelf in 1912. It was created using facts and suppositions surrounding these last moments and includes a library of found materials created from texts from the final entry's in Scott's diary, the final letters home from Scott, Bowers and Wilson, Antarctic field recordings from my British Antarctic Survey composer residency in 2003-4, music materials (specifically We love the place, O God, and Sea Slumber Song by Elgar) and other sounds and music that take the minds of the audience to this lonely place. Together, the mix of the live ensemble with the disembodied voice of Scott, the ghost string sextet, and treated soundscape re-create the immensity of white sonic space of Antarctica, and a claustrophobic sense of being in that tent.en
dc.description.abstractThree Last Letters is a music composition that imagines the last moments in the minds of Scott, Wilson and Bowers before they die in a tent, alone on an Antarctic Ice Shelf in 1912. It was created using facts and suppositions surrounding these last moments and includes a library of found materials created from texts from the final entry's in Scott's diary, the final letters home from Scott, Bowers and Wilson, Antarctic field recordings from my British Antarctic Survey composer residency in 2003-4, music materials (specifically We love the place, O God, and Sea Slumber Song by Elgar) and other sounds and music that take the minds of the audience to this lonely place. Together, the mix of the live ensemble with the disembodied voice of Scott, the ghost string sextet, and treated soundscape re-create the immensity of white sonic space of Antarctica, and a claustrophobic sense of being in that tent.en
dc.publishercomposers Editionen
dc.subjectcompositionen
dc.subjectAIen
dc.subjecthuman-computer interactionen
dc.titleThree Last Lettersen
dc.typeMusical Scoreen
dc.peerreviewedYesen
dc.funderVale of Glamorgan Festival/ Composers Editionen
dc.projectidcja1en
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


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