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dc.contributor.authorPasternak, Gilen
dc.date.accessioned2015-12-01T10:58:09Z
dc.date.available2015-12-01T10:58:09Z
dc.date.issued2012-11-19
dc.identifier.citationPasternak, G. (2012) European Travellers in Palestine: The Issue of Trust and “Political Correctness” in the Otolith Group’s Nervus Rerum and Ursula Biemann’s X-Mission.en
dc.identifier.urihttp://hdl.handle.net/2086/11380
dc.descriptionI gave this talk at the ICS Cinema (the University of Leeds) as part of A Thing Like You and Me, a four-part screening and talks programme supported by the Arts Council England, PVAC and Pavilion arts organisation. The screening programme explores the relationship of the documentary ‘real’ and essayistic ‘fiction’ in contemporary artists’ video works, in both their analogue and digital form. The series re-examines the politics of representation, and the question of looking ‘at’ and ‘to’ one another in the twenty-first century. A Thing Like You and Me has been conceived and organised by Amy Charlesworth (a doctoral student at the University of Leeds) in collaboration with Director of Pavilion, Gill Park.en
dc.description.abstractIn this talk I perused the visual traditions utilised in the Otolith Group's Nervus Rerum (2008) and Ursula Biemann's X-Mission (2008) with a view to investigating what support they offer to the informative and political values these two video essays diffuse. Both the Otolith Group and Biemann’s work focus on the perceived physical, political and existential conditions shared by Palestinian refugees. Nervus Rerum is explicitly preoccupied with the challenge of representing people who have no formal political representation. Likewise, X-Mission employs pseudo-scientific informative conventions to portray an incoherent Palestinian reality, isolated from the realities of any other refugees. I suggested that in both of these cases, the Palestinian people paradoxically emerge as “modern heroes”, engaged with political thought and in global politics while recognising a necessity to obliterate these if they wish to earn political emancipation. Yet, as the Palestinian people have been internationally deprived of any formal representative political agency, the Otolith Group as well as Biemann’s video essays cannot be perceived as loyal to the Palestinian cause or experience. Instead, I proposed to think of them in line with the nineteenth-century representational conventions used in colonialist travellers’ diaries. As such, Nervus Rerum and X-Mission are understood as audio-visual documents that give expression to European post-colonialist desires in the era of “political correctness”.en
dc.language.isoenen
dc.subjectOtolith Groupen
dc.subjectNervus Rerumen
dc.subjectX-Missionen
dc.subjectUrsula Biemannen
dc.subjectColonial-era travel diariesen
dc.subjectIsraeli-Palestinian conflicten
dc.subjectPalestinian refugeesen
dc.titleEuropean Travellers in Palestine: The Issue of Trust and “Political Correctness” in the Otolith Group’s Nervus Rerum and Ursula Biemann’s X-Missionen
dc.typePresentationen
dc.researchgroupPhotographic History Research Centre (PHRC)en
dc.funderN/Aen
dc.projectidN/Aen
dc.researchinstituteMedia Discourse Centre (MDC)en
dc.researchinstituteInstitute of Art and Designen


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