Now showing items 1-10 of 10
About the Electroacoustic Resource Site (EARS) Project
(Sonic Arts Network, 2003-11)
A brief description of the EARS project
Inventing memory: Documentary and imagination in acousmatic music.
(Middlesex University Press, 2008)
The potential for sound recording to act as a surrogate for memory is evaluated in terms of its use in the composition of acousmatic music. Adapted from the writing of Walter Benjamin, sound recording of real-life events ...
La synthèse sonore: enfin l’émancipation?
(Groupe de musique expérimentale de Marseille (GMEM), 2002-05)
Cet article est basé sur un jeu de mots. La synthèse sonore est, bien sûr, la création de sons par des moyens analogiques ou numériques. Il y a par contre quelque chose qui m’intéresse au plus haut point, à savoir la ...
On the Paradigmatic Behaviour of Sound-based Music
(Electroacoustic Music Studies Network, 2008)
Following François Delalande’s description of ‘an electroacoustic music paradigm’ (“Le son des musiques”, 2001), an alternative based on sound-based music (music based on sounds as opposed to notes) will be presented. It ...
Practice, process and aesthetic reflection in Electroacoustic Music.
(Cambridge University Press, 2007-04)
This is an editorial article introducting ideas around the relationship between practice and the emerging theory of electroacoustic music.
Book reviews: Bernd Schulz, ed. Felix Hess: Light as Air, Robin Minard: Silent Music – Between Sound Art and Acoustic Design, Christine Kubisch, KlangRaumZeitLicht,
(Cambridge University Press, 2003-08)
Book review: Thomas Licata, ed. Electroacoustic Music: Analytical Perspectives.
(Notes, the Quarterly Journal of the Music Library Association, 2003-09)
A practice-based approach to using acoustics and technology in musicianship training.
(International Computer Music Association, 2007)
Digital audio tools can be used to facilitate many aspects of traditional note-based music making, but one of the challenges they present is also found in their potential to open up new opportunities for the shaping and ...
Sound in structure: Applying spectromorphological concepts.
(Electroacoustic Music Studies Network, 2005)
This paper departs from critical discussion of the concepts and terminology used by Denis Smalley to outline the ‘spectromorphological’ approach to the listening process. It then seeks to elaborate and apply salient aspects ...
Sound morphology and the articulation of structure in electroacoustic music.
(Cambridge University Press, 2004-04)
In electroacoustic music we have the capacity to manipulate sound in an unprecedented number of dimensions - especially to transform, disassemble and remix both natural and digitally created sound-objects over time. This ...