• Login
    Browsing by Author 
    •   DORA Home
    • Browsing by Author
    •   DORA Home
    • Browsing by Author
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browsing by Author "Egan, Gabriel"

    • 0-9
    • A
    • B
    • C
    • D
    • E
    • F
    • G
    • H
    • I
    • J
    • K
    • L
    • M
    • N
    • O
    • P
    • Q
    • R
    • S
    • T
    • U
    • V
    • W
    • X
    • Y
    • Z

    Sort by:

    Order:

    Results:

    Now showing items 1-20 of 202

    • title
    • publication date
    • submission date
    • ascending
    • descending
    • 5
    • 10
    • 20
    • 40
    • 60
    • 80
    • 100
      • Afterword 

        Egan, Gabriel (Article)
      • Are there three Hamlets in the three early texts of Hamlet? 

        Egan, Gabriel (Conference)
      • Ariel's costume in the original staging of 'The Tempest' 

        Egan, Gabriel (Article)
      • As it was, is, or will be played: title-pages and the theatre industry to 1610 

        Egan, Gabriel (Book chapter)
      • Attributing the Authorship of the Henry VI Plays by Word Adjacency 

        Egan, Gabriel; Segarra, Santiago; Eisen, Mark; Ribeiro, Alejandro (Article)
        This article reports the invention of a new means of authorship attribution based on the relative distances (measured in intervening words) between functions words in the texts being analysed. The data about distances are ...
      • 'Away with sinful priests'. Review of Everyman, directed by Kathryn Hunter and Marcello Magni at The Other Place, Stratford-upon-Avon, 14 November 1996 

        Egan, Gabriel (Article)
      • Babbling of green fields: Shakespearian ecopolitics in theory 

        Egan, Gabriel (Conference)
      • The book as object in Ray Galton and Alan Simpson's Hancock Half Hour episode 'The Missing Page' 

        Egan, Gabriel (Article)
        In their scripts for the television and radio shows of Hancock's Half Hour, Ray Galton and Alan Simpson (G+S) formulaically employed prolepsis to enable rapid composition of an ironic twist for each episode's ending. G+S ...
      • The book as object in Ray Galton and Alan Simpson’s 'Hancock’s half hour' scripts 

        Egan, Gabriel (Other)
        It is common critical practice these days to describe the work of previous generations of critics as idealistic in the worst possible sense, treating literature as though it existed in a realm of pristine ideas when in ...
      • Book review of Andrew Murphy: Shakespeare for the People: Working-class Readers, 1800-1900. Cambridge: Cambridge University Press, 2008. 

        Egan, Gabriel (Article)
        For his account of the entire history of Shakespeare publication (Shakespeare in Print, 2003), Andrew Murphy made detailed study of the nineteenth-century explosion in cheap editions. His new book puts that explosion within ...
      • The closure of the theatres 

        Egan, Gabriel (Book chapter)
      • The closure of the theatres. 

        Egan, Gabriel (Article)
      • A complicated and unpleasant investigation: the Arden Shakespeare 1899-1924 

        Egan, Gabriel (Other)
      • Country 

        Egan, Gabriel (Book chapter)
      • 'Did Petrucchio spill the water?' Review of Ann Thompson and Gordon McMullan (eds.) In Arden: editing Shakespeare: essays in honour of Richard Proudfoot (London: Thomson Learning, 2003) 

        Egan, Gabriel (Article)
      • Diplomatic immunity on the early modern stage: verbatim repetition of documents 

        Egan, Gabriel (Other)
        Near the end of a ground-breaking study of the notion of authenticity in relation to the Shakespearian text, Margreta de Grazia observed a textual phenomenon which is disturbing for us, but apparently was not for the early ...
      • Dumbshow and choric narration, impresa and motto: word and image in Shakespeare and Wilkins's Pericles 

        Egan, Gabriel (Other)
      • E-books: the academic perspective 

        Egan, Gabriel (Other)
      • The early seventeenth-century origin of the Macbeth superstition 

        Egan, Gabriel (Article)
      • Earth's bounty and the circuit of borrowing in Shakespeare and Middleton's Timon of Athens 4.3 

        Egan, Gabriel (Other)
        Reduced by penury to the epitome of the asocial man, Timon's long scene in the forest outside Athens gives the dramatists an opportunity to explore the familiar theme of man's natural state. The 500-line scene is ...

        Submission Guide | Reporting Guide | Reporting Tool | DMU Open Access Libguide | Take Down Policy | Connect with DORA
        DMU LIbrary
         

         

        Browse

        All of DORACommunities & CollectionsAuthorsTitlesSubjects/KeywordsResearch InstituteBy Publication DateBy Submission Date

        My Account

        Login

        Submission Guide | Reporting Guide | Reporting Tool | DMU Open Access Libguide | Take Down Policy | Connect with DORA
        DMU LIbrary