• False Start 

      Vear, Craig (Musical Score)
      http://composersedition.com/composers/craigvear/ce-cv1fs1 The title of this piece is borrowed from a Jasper Johns painting from 1959. Johns' works have been a point of inspiration for many decades, due to his abstraction ...
    • Farewell, sun! (Adieu, soleil!) 

      Vear, Craig (Musical Score)
      This composition explores the imaginary sound world evoked by a quote for Jules Verne's book Twenty Thousand Leagues under the Sea(s) (1869): “Adieu, soleil! s'écria-t-il. Disparais, astre radieux! Couche-toi sous cette ...
    • The Feather 

      Vear, Craig (Musical Score)
      The Feather is a digital score for an improvising quartet. It is inspired by an extract from a Tove Jansson short story The Scolder from her book The Summer Book. In this extract an elderly grandmother is lying down on a ...
    • The Feather Quartet 

      Vear, Craig (Presentation)
      The Feather Quartet is a digital score for an improvising quartet. It is inspired by an extract from a Tove Jansson short story The Scolder from her book The Summer Book. In this extract an elderly grandmother is lying ...
    • The Feather Quartet 

      Vear, Craig (Musical Score)
      The Feather Quartet is a digital score for an improvising quartet. It is inspired by an extract from a Tove Jansson short story The Scolder from her book The Summer Book. In this extract an elderly grandmother is lying ...
    • Flow 

      Vear, Craig (Other)
    • Gesamtkomposition and the digital opera: A Sentimental Journey 

      Vear, Craig (Article)
      This article discusses the concept of Gesamtkomposition as a means with which to consider the mutual affection of sensorial media and its operational significance at the point of composition. It analyses and reflects upon ...
    • Gravities, trajectories and Postcards: the heard space in intermedial performance. 

      Vear, Craig (Book chapter)
      As this is a short essay, I will get straight to the point. In doing so I expose that fact that I am audile , and believe that sound is a significant part of the audio-visual contract of live performance. Actually, I would ...
    • Hope, Sanctuary, Place: Digital Operatic Stories of Refugees in Leicester 

      Vear, Craig (Presentation)
      This R&D project will engaged with groups of asylum seekers/ refugees in the East Midlands and create a digital operatic performance with and about their stories. In the spirit of Cardboard Citizens we engaged with refugees/ ...
    • Like A Fish Out of Water 

      Vear, Craig (Recording, acoustical)
      Sound, word and music composition for English National Ballet production of Like a Fish Out of Water.
    • The Living Score: Augmenting Co-Operation Between Machines and Musicians 

      Vear, Craig (Conference)
      This keynote will present a philosophical perspective on the co-operative relationships between musicians and their technology. It will explore notions of embodiment and augmented relationships between the musicians and ...
    • The Lovers 

      Vear, Craig; Doughty, Sally (Musical Score)
      The Lovers (2012) is a hypermedia performance for dancer and musician (Sally Doughty and Craig Vear). It articulates the impact of intermedial performance environments upon composer-choreographer collaboration, specifically, ...
    • Music, dimensions and play: composing for autonomous laptop musicians and improvising humans 

      Vear, Craig (Article)
      This article discusses three compositions for autonomous laptops performing with improvising musicians. The laptops were programmed with software environments that make narrow-band ‘decisions’ regarding performative ...
    • On a Balcony 

      Vear, Craig (Musical Score)
      This composition is inspired by my personal experience of sitting on a balcony in Antarctica, overlooking the frozen George VI sound which lies in-between Alexander Island and Palmer Land. This was an extraordinary place, ...
    • On Junitaki Falls 

      Vear, Craig (Musical Score)
      On Junitaki Falls is a composition for live instrument and two artificial intelligent performers controlled by a central computer system that also operates as the score. Although Junitaki Falls exists as a geological feature ...
    • On Junitaki Falls 

      Vear, Craig (Presentation)
      On Junitaki Falls, is a composition for live instrument and two artificial intelligent performers controlled by a central computer system which also operates as the score. Although Junitaki Falls exists as a geological ...
    • On Junitaki Falls - A.I. installation 

      Vear, Craig (Presentation)
      On Junitaki Falls, is a composition for live instrument and two artificial intelligent performers controlled by a central computer system which also operates as the score. Although Junitaki Falls exists as a geological ...
    • On Junitaki Falls - Film 1 

      Vear, Craig (Video)
      On Junitaki Falls, is a composition for live instrument and two artificial intelligent performers controlled by a central computer system which also operates as the score. Although Junitaki Falls exists as a geological ...
    • on Junitaki Falls - Film 2 

      Vear, Craig (Video)
      On Junitaki Falls, is a composition for live instrument and two artificial intelligent performers controlled by a central computer system which also operates as the score. Although Junitaki Falls exists as a geological ...
    • on Junitaki Falls - Film 3 

      Vear, Craig (Video)
      On Junitaki Falls, is a composition for live instrument and two artificial intelligent performers controlled by a central computer system which also operates as the score. Although Junitaki Falls exists as a geological ...