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dc.contributor.authorEveritt, Daveen
dc.date.accessioned2013-11-05T16:53:21Z
dc.date.available2013-11-05T16:53:21Z
dc.date.issued2013-12-05
dc.identifier.citationEveritt, D. (2013) Between the crystalline and the chaotic
. Digital Creativity, 24, (3), pp. 259-263en
dc.identifier.urihttp://hdl.handle.net/2086/9310
dc.description.abstractThis short feature documents elements of research in advance of a long-term work. Rather than a technical account or retrospective, the aim is to demonstrate by example how research itself is a primary process, illustrated by work carried out at the IOCT during the last few years. When creative output is appraised only from its visible results, something is lost in the telling; carefully selected public facets rarely convey the depths of the underlying lines of inquiry. The research covered is for a work that generates quantitative data, driving visualisations of human movement, proximity and orientation. The aim is to reveal how this literal data reflects our relationships to one another in social settings. To contextualise the current process, complex systems, dynamic pattern formation and other works are also mentioned. As a personal account, it seemed appropriate to supplement the usual academic passive voice with first-person narrative.en
dc.language.isoenen
dc.publisherTaylor and Francisen
dc.subjectprocessen
dc.subjectsketchen
dc.subjectcomplexityen
dc.subjectsocial behaviouren
dc.subjectpatternen
dc.titleBetween the crystalline and the chaotic
en
dc.typeArticleen
dc.identifier.doihttp://dx.doi.org/10.1080/14626268.2013.813379
dc.researchgroupInstitute of Creative Technologies
dc.peerreviewedYesen
dc.funderTaylor & Francisen
dc.projectidIOCT researchen


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