Pericles and the textuality of theatre

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dc.contributor.author Egan, Gabriel en
dc.date.accessioned 2012-08-29T15:18:41Z
dc.date.available 2012-08-29T15:18:41Z
dc.date.issued 2004
dc.identifier.citation Egan, G. (2004) Pericles and the textuality of theatre. Paper Delivered at the Conference 'From Stage to Print in Early Modern England' at the Huntington Library, San Marino CA, USA, 19-20 March en
dc.identifier.uri http://hdl.handle.net/2086/7019
dc.description.abstract The subtitle of our meeting, 'From Stage to Print in Early Modern England, posits a movement in one direction, from performance to printed book. This seems reasonable since, whereas modern actors usually start with a printed text of some form, we are used to the idea that early modern actors started with manuscripts and that printing followed performance. In fact, the capacity of a printed play to originate fresh performances was something that the title-pages and the preliminary matter of the first play printings in the early sixteenth century made much of.... en
dc.language.iso en en
dc.title Pericles and the textuality of theatre en
dc.type Other en
dc.researchgroup English Research Group en


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