Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive

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dc.contributor.author Griggs, Yvonne en
dc.date.accessioned 2012-08-09T11:12:44Z
dc.date.available 2012-08-09T11:12:44Z
dc.date.issued 2008-09-26
dc.identifier.citation Griggs, Y. (2008) Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive. Third Annual Conference of the Literature on the Screen Association, Amsterdam, September 24th - 26th. en
dc.identifier.uri http://hdl.handle.net/2086/6751
dc.language.iso en en
dc.title Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive en
dc.type Conference en
dc.researchgroup English Research Group en


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