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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 211

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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 0 1 0 1 1 1 4

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