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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 199

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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 0 0 2 4 4 1 1

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