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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 197

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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 3 1 0 0 2 4 4

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