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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 223

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Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive 0 1 1 1 6 5 5

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