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dc.contributor.authorTzedaki, Aikaterini
dc.date.accessioned2012-07-23T16:00:20Z
dc.date.available2012-07-23T16:00:20Z
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/2086/6529
dc.description.abstractThe focus of the compositional approach presented in this folio is the sounding environment. The term sounding environment is used in this context to refer to the whole of our living experience in the world which we might register as relating to sound. It might include everything that is sounding, seemingly sounding, imagined sounding, remembered sounding, sensed as sounding, composed to sound. It includes thus the actual sound environment, all that is sensed or interpreted as sound and imaginary sounds. This dissertation accompanies the seven acousmatic and the two sound installation works included in the folio. It is divided into two parts. In the first part relevant ideas and theories both from the literature of electroacoustic music composition and soundscape composition are discussed while in the second the compositional approach to the sounding environment is presented as applied to the works.en
dc.language.isoenen
dc.publisherDe Montfort Universityen
dc.subjectElectroacoustic music compositionen
dc.subjectsoundscapeen
dc.subjectsound environmenten
dc.subjectlisteningen
dc.titleInto the sounding environment A compositional approachen
dc.typeThesis or dissertationen
dc.publisher.departmentFaculty of Art, Design and Humanitiesen
dc.type.qualificationlevelDoctoralen
dc.type.qualificationnamePhDen


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