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dc.contributor.authorBurt, Ramsay, 1953-en
dc.date.accessioned2012-07-06T10:17:29Z
dc.date.available2012-07-06T10:17:29Z
dc.date.issued2009
dc.identifier.citationBurt, R. (2009) History, memory, and the virtual in current European dance practice. Dance Chronicle, 32 (3) pp. 442–467.en
dc.identifier.issn0147-2526
dc.identifier.issn1532-4257
dc.identifier.urihttp://hdl.handle.net/2086/6293
dc.description.abstractFocusing on current European dance, this essay identifies two recent phenomena among virtual dance pieces: calling upon beholders to use their imaginations and evoking histories and memories. Such works have the potential to transform society by creating time for a belief in the impossible. This account of virtual dance draws from Susanne Langer's dance theory and Henry Bergson’s ideas about memory and the virtual, particularly as developed by Gilles Deleuze. The theoretical matrix that results allows lucid readings of works by New Art Club, Raimund Hoghe, and Janez Janša.en
dc.language.isoenen
dc.publisherTaylor & Francisen
dc.subjectVirtual Danceen
dc.subjectJanez Jansaen
dc.subjectSusanne Langeren
dc.subjectHenri Bergsonen
dc.subjectGiles Deleuzeen
dc.subjectNew Art Cluben
dc.subjectIvana Mulleren
dc.subjectRaimund Hogheen
dc.titleHistory, memory, and the virtual in current European dance practiceen
dc.typeArticleen
dc.identifier.doihttp://dx.doi.org/10.1080/01472520903276800
dc.researchgroupDance Researchen
dc.peerreviewedYesen
dc.ref2014.selected1366358878_9510680035654_35_3
dc.researchinstituteInstitute of Drama, Dance and Performance Studiesen


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