Using participant observation in Machinima research.

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dc.contributor.author Harwood, Tracy en
dc.date.accessioned 2012-01-31T14:41:41Z
dc.date.available 2012-01-31T14:41:41Z
dc.date.issued 2010-04-08
dc.identifier.citation Harwood, T. (2010) Using participant observation in Machinima research. Games Research Methods Seminar. University of Tampere, Finland, April 8-9. en
dc.identifier.uri http://hdl.handle.net/2086/5544
dc.description.abstract This paper reports on the research methodology used to investigate the social and relational aspects of Machinima, ie., the creation of original films using live and edited gamesplay from 3D games engines (Academy of Machinima Arts and Sciences). The aims of the research were to develop insight into the Machinima community, focusing upon the collaboration and consumption patterns of games players as well as the distribution and dissemination strategies for the original films. This paper firstly outlines the emergence of the Machinima community and its current stages of evolution in order to contextualise the subsequent discussion. Thereafter, it reviews the research design and methodology and considers a range of ethical dilemmas presented by the approaches taken to investigate the phenomenon. Finally, the paper concludes with a discussion of benefits and challenges and how these may be overcome. The methodology has potential to be useful in the study of similar emergent online socially and artistically oriented games-based phenomena where sensitivities in accessing the phenomenon, framing research questions and collecting relevant data are prevalent. en
dc.language.iso en en
dc.publisher Games Research Methods Seminar, University of Tampere, Finland en
dc.subject qualitative research en
dc.subject participant observation en
dc.subject games en
dc.subject machinima en
dc.title Using participant observation in Machinima research. en
dc.type Conference en
dc.researchgroup Institute of Creative Technologies
dc.peerreviewed Yes en


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