Now showing items 11-20 of 21
At the First Clear Word
A Temporal Basis for Acousmatic Rhythm
(Leonardo Music Journal, 2016-12-01)
In an attempt to begin to redress the relative lack of literature focused on rhythm in acousmatic music, this article is intended as a brief look at the acousmatic perspective on rhythm. This begins with a quick overview ...
Pimeydestä valoon (from darkness into light)
(Ink & Coda, 2015-07-15)
Between the Leaves
Between the Leaves began when an output error turned John Cage reciting a series of small stories into a dense tapestry of noise; a fitting tribute, perhaps, for a piece created in the centenary of Cage's birth. The work ...
Mezihlas -- Přeshlas -- Nahlas
This is the 5th composition in the Radio Series and consists of a stereo radiophonic version and an 8-channel concert version of 17'08" duration. It consists solely of samples from Czech radio broadcasts from late 2016 and ...
(Institute for Alien Research, 2014)
Tsampouna is a tape piece that was made during a residency at Syros Sound Meetings, on the Greek island of Syros. It is constructed from a field recording of four local musicians gathered at a bar, casually performing a ...
Towards a Narratology of Acousmatic Music
Acousmatic works tend to operate on two simultaneous planes: a more abstract, musical level of gesture, phrase, colour, texture, and motion; and a narrative level, which references real-world objects, actions, contexts and ...
Acousmatic composition for fixed media. “the traveler, arriving, sees two cities: one erect above the lake, and the other reflected, upside down. Nothing exists or happens in the one Valdrada that the other Valdrada does ...
Towards an Ethics of Creative Sound
(Cambridge Journals, 2014-08)
This article examines some of the ethical issues involved in working creatively with sound. Issues considered include: sound ownership; sound vs. vision as determinations of identity, and their relative iconicity; recorded ...
In search of the Nordic electroacoustic
(Routledge/Taylor & Francis, 2019-10-31)
This chapter will examine electroacoustic music in the Nordic countries, with a focus on this question: is it reasonable to speak of a ‘Nordic identity’ in electro- acoustic music? An overview confirms that there is a long ...