Now showing items 1-2 of 2
The use of microphone level balance in blending the timbre of horn and bassoon players
(Journal of the Audio Engineering Society, 2015-10)
A common musical aim of orchestration is to achieve a blended timbre for certain instrument combinations. Its success has been shown to also depend on the timbral coordination between musicians during performance, which ...
The role of spectral-envelope characteristics in perceptual blending of wind-instrument sounds
Certain combinations of musical instruments lead to perceptually more blended timbres than others. Orchestration commonly seeks these combinations and can benefit from generalized acoustical descriptions of perceptually ...