Now showing items 1-5 of 5
Discovering How Accessible Electroacoustic Music Can Be: The Intention/Reception Project
(Cambridge University press, 2006)
The Intention/Reception (I/R) project concerns an investigation of the relationship between composer intention and listener response in electroacoustic (E/A) compositions. Phase one of the project focuses on E/A compositions ...
The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
(Observatoire Musical Français, 2005)
The opportunity to incorporate real-world sounds into musical works has led to new listening strategies in terms of the musical experience. Given the acute separation between contemporary art music in general and society, ...
Exploring our relationships with sound-based music
(Electroacoustic Music Studies Network, 2008)
In this paper, that is at various times provocative and speculative (for which I beg your indulgence), I outline the initial exploratory stages of a research exercise that looks towards exploring a particular corpus of ...
Mapping perception across the communicative continuum as a prelude to analysis
(Electroacoustic Music Studies Network, 2007)
In this paper the author discusses some of the key issues concerning the role of analysis in electroacoustic (E/A) music. This is followed by an explanation of the role that the Intention/Reception (I/R) method can play ...
Measuring Intention Against Reception in Electroacoustic Music
(Sonic Arts Network, 2003-10)