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The Friedman Translations
The Friedman Translations is a work in two contrasting forms: Translation A is a work for tape, while Translation B is a live work for piano and percussion. The tape version, Translation A, is composed entirely from a few ...
Sound Practices: The Sonic and the Musical in Interdisciplinary Improvisation
(Cambridge Scholars Publishing, 2019-01-01)
Today, 'performing with sound' can take a great many forms, and can include a broad range of contributions from performers with a wide diversity of backgrounds, including, for example, instrumentalists (from any number of ...
Sound and Narrative: Acousmatic composition as artistic research
(Journal of Sonic Studies, 2014-06-06)
This paper will discuss acousmatic music as a simultaneously musical and narrative art form. Acousmatic narrative will be considered from the dual perspectives of the composer and the listener, and we will investigate some ...
Mahtavaa (Finnish for "Wonderful") was originally composed as one section of an outdoor sound installation commissioned by the Sibelius Weeks festival in Jarvenpaa, Finland, which was entirely composed using newspaper and ...
(New Adventures in Sound Art, 2015-04)
'be-mai peligei' (Guitar Quartet)
Music score, for guitar quartet.
VCA: Ceres [CD]
(Creative Sources Recordings, 2017-10-20)
An album of free improvisation by trio VCA: James Andean: piano, objects, electronics Marc Vilanova: saxophones Sergio Castrillón: cello Track listing: Bern Alma Seitzinger Phelipara Balteata APD-116 Umlaut ...
(Association PRESQUE RIEN, 2017)
Electroacoustic Performance Practice in Interdisciplinary Improvisation
(Korean Electro-Acoustic Music Society, 2014)
The increasing mobility and accessibility of electroacoustic tools in recent decades has brought electroacoustic performance practice into ever-closer contact and collaboration with a broad range of other performance ...
Recording of the premiere performance of electroacoustic chamber opera 'Medea'. Composer: James Andean. Voice: Debi Wong.