Take part in a large-group performance that questions our relationship with coding and sound generation. Ideas such as tangible and collective coding will be explored along with DIY electronics. A hybrid digital/analogue ...

A two-day exploration into the world of electronic circuits, sound-making and choreography. Capacity looks at the very essence of electronic circuits: the humble capacitor and the flow of electric current. The capacitor ...

The Intention/Reception (I/R) project concerns an investigation of the relationship between composer intention and listener response in electroacoustic (E/A) compositions. Phase one of the project focuses on E/A compositions ...

This article examines the construction authenticity of a particular UK DiY punk scene. Using ethnographic data gathered in 2001, it examines members’ reference to broader ethical ideological themes through an analysis of ...

This is a reprint of a text written for the 1987 production of Heiner Müller's 'Philoktet' (untranslated, but with critical footnotes in German) discussing my collaboration as composer/sound designer in this production in ...

I wrote down a text describing a dream on the 11th April 2001. I see and hear music for piano, harpsichord and electronics – it suggests a piece based on the idea of resonance and changing colours. The visual description ...