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Leicester Media School
Recent Submissions
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(Article)The relationship between performance and VR technologies has been ongoing since the initial development of VR in the 1980s. Much has been written about the flurry of experimentation in VR and performance during the 1990s, ...
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(Article)In electroacoustic music, the spectromorphological approach commonly employs analogies to non-sonic phenomena like shapes, gestures, or textures. In acoustical terms, sound shapes can concern simple geometries on the ...
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(Article)
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(Conference)Due to the accelerating development of ‘rapidly to become redundant’ technologies, there is a growing mountain of perfectly serviceable discarded electronic devices hiding quietly at the bottom of almost every domestic ...
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(Conference)This civic engagement model is comprehensibly embedded in the ethos of the community media move-ment, but the role of community media, however, tends not to be recognised within state and govern-ment-led community development ...
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(Presentation)Demonstration of an online resource created to enhance the use of scenario-based learning appropaches and resources in the undergraduate programme for Nursing and Midwifery at De Montfort University
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(Presentation)A presentation of the raison d'être and findings of a research project which sought to reveal the key problematic areas with respect to academic study, as identified by both students and academic staff in the transition ...
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(Working Paper)The civic engagement model is embedded in the ethos of the community media movement, but the role of community media tends not to be recognised within government-led community development policies and practices, at a local, ...
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(Article)9 This paper explains the root cause of instabilities which tend to arise in pressure reducing 10 valves (PRVs) under low flow conditions. It was found that the loss of stability in PRVs is a direct 11 result of an increase ...
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(Book chapter)This chapter investigates aspects of Chinese electroacoustic music history within the academy (Central Conservatory of Music, Beijing) and with work from independent artists. It focuses on three elements common to working ...
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(Other)A website developed to support the Art-AI Festival www.art-ai.dmu.ac.uk - led by Harwood, the festival was a collaboration with Phoenix, Highcross and Luba Elliott, sponsored by #DMULocal. The festival events took place ...
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(Working Paper)This paper summarises observations and recommendations to the Tuol Sleng Genocide Museum in Phnom Penh, about their use of social media and techniques to establish an enhanced social engagement with supporters of the museums ...
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(Conference)The question of what motivates people to contribute to community media is an idea that media scholars and teachers are increasingly drawn to, both in its general context as a form of civic engagement, and in specific ...
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(Presentation)This paper outlines issues relevant to social and ecological sustainability and the relationship between large-scale media organisations and small-scale, grass roots community media organisations. This paper was presented ...
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(Presentation)The use of ethnographic evaluation techniques can illicit stories of social change that other forms of evaluation are unable to identify. The EAR method of evaluation is a tested technique that is used to evaluate community ...
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(Book chapter)The idea of the genius, the mad scientist, the enlightened person – oftentimes displaced from society – who has the most interesting and creative ideas from bolts of lightning of genius is consolidated in popular culture, ...
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(Book)This edition revises the original core chapters and adds 15 new contributions from artists who shed new light on the progress made in the early decades of the 21st Century. Explorations in Art and Technology is about ...
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(Book chapter)This text discusses images that are part of my series “Visual Theogonies” (2014), which arose out of a playful game with the poem “Theogony: The origin of the gods”, by the Greek poet Hesiod. Chance is a concept that divides ...
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(Conference)Constructs:Conducts is an immersive interactive work for Montreal’s Satosphere Dome. The audience is immersed in a color and sound space. This work involves assigning each element to a single track of a multi-track recording ...
