Browsing School of Arts by Subject "electroacoustic music"
Now showing items 1-20 of 25
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About the Electroacoustic Resource Site (EARS) Project
(Article)A brief description of the EARS project -
The Analysis of Electroacoustic Music, the Differing Needs of its Genres and Categories
(Conference)This paper reports on our (Arts and Humanities Research Council funded) project New Multimedia Tools for Electroacoustic Music Analysis, designed for a range of genres, drawing together existing methods, engaging the latest ... -
En el Límite 1/1
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The extended environment.
(Conference)The potential in electroacoustic music to amalgamate sounds of natural real-world sources with the powerful signal processing and synthesis offered by computers makes possible interplay between different levels of sonic ... -
Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship
(Conference)Celebrating its fiftieth birthday in the late 1990s, electroacoustic music and its associated musicology are very much alive, but not necessarily as well as they might be. This text investigates why musicology is not ... -
Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition
(Book chapter)Compositional activity in electroacoustic music is central to the research culture of that field. Electroacoustic tools for sound manipulation and transformation allow the creation of sound materials that present new ... -
Inventing memory: Documentary and imagination in acousmatic music.
(Book chapter)The potential for sound recording to act as a surrogate for memory is evaluated in terms of its use in the composition of acousmatic music. Adapted from the writing of Walter Benjamin, sound recording of real-life events ... -
Kaleidoscope: Cycle (multichannel electroacoustic compositions, 2013)
(Other)Fissure (2006) [completed prior to REF period; submitted for RAE 2008] Nebula (2012) Pulse (2013) Fuse (2013) This series continues my exploration of spatialisation strategies in the composition of multichannel ... -
La synthèse sonore: enfin l’émancipation?
(Conference)Cet article est basé sur un jeu de mots. La synthèse sonore est, bien sûr, la création de sons par des moyens analogiques ou numériques. Il y a par contre quelque chose qui m’intéresse au plus haut point, à savoir la ... -
Nocturne (Re-disturbed) (musical composition, electroacoustic music, 2011)
(Recording, musical) -
On the Paradigmatic Behaviour of Sound-based Music
(Conference)Following François Delalande’s description of ‘an electroacoustic music paradigm’ (“Le son des musiques”, 2001), an alternative based on sound-based music (music based on sounds as opposed to notes) will be presented. It ... -
Practice, process and aesthetic reflection in Electroacoustic Music.
(Article)This is an editorial article introducting ideas around the relationship between practice and the emerging theory of electroacoustic music. -
A practice-based approach to using acoustics and technology in musicianship training.
(Conference)Digital audio tools can be used to facilitate many aspects of traditional note-based music making, but one of the challenges they present is also found in their potential to open up new opportunities for the shaping and ...