This performative presentation focuses on a strand of my practice that considers my body as an archive that has the potential to give rise to new performance work. Memory and archive are considered synergistically to create ...
In 2017 Zoo Indigo presented ‘No Woman’s Land’, a theatrical reaction to the historical story of Lucia and many other walking women at the end of WWII alongside Rosie and Ildikó’s experiences of their own walk. There is ...
Brink attempts to convey a form characterised by continuous sonic renewal and evolution. I like to think of sound as physical matter and, by blending parallel processes of transformation and recurrence, this work aims to ...
This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and ...
British Dance: Black Routes re-examines the distinctive contributions made to British dance by dancers who are Black. Covering the period 1946 to the present, it presents a radical re-reading of dancers and their companies, ...
This article, written to celebrate the 30th anniversary of the foundation of People Dancing, outlines the debt those working in participatory and community dance today owe to the pioneers of community dance in the UK.
The musician Darren Hayman invited artists to select a song from his concept album Bugbear and respond by producing a visual artwork. All the images were printed in the albums booklet.
Darren Hayman's LP of seventeenth ...
'Hercules' is a dance performance which toured to large scale theatre venues in the UK in 2015. The cast consisted of six professional performers and three groups of dancers drawn from community and educational organisations ...
Festivals are a ubiquitous feature of contemporary Western society, yet their production processes remain largely unexplored. Why do some festivals thrive whilst others limp along and yet more run for a year or so then ...