• What Curating Can Offer Performance in Africa or the Aftermath of an Interview With Jareh Das 

  Adewole, Funmi (Book chapter)

  This article argues the important of curating for performance from Africa citing its role in generating an artistic discourse for performance art and contemporary dance. The article includes an interview with the curator ...
• James Mweu and Kunja Dance Theatre: Contemporary Dance as African Cultural Production 

  Adewole, Funmi (Book chapter)

  This article argues that contemporary dance in Africa should be considered to be a form of African cultural production rather an imported Euro-American practice on the basis that it has been adopted by choreographers in ...
• Paul Thek: Body Mass Index 

  Aramphongphan, P. (Conference)
• Review of One Month Ago by Wade Guyton 

  Aramphongphan, P. (Other)
• The Feather 

  Vear, Craig (Musical Score)

  The Feather is a digital score for an improvising quartet. It is inspired by an extract from a Tove Jansson short story The Scolder from her book The Summer Book. In this extract an elderly grandmother is lying down on a ...
• The Feather Quartet 

  Vear, Craig (Musical Score)

  The Feather Quartet is a digital score for an improvising quartet. It is inspired by an extract from a Tove Jansson short story The Scolder from her book The Summer Book. In this extract an elderly grandmother is lying ...
• On Junitaki Falls 

  Vear, Craig (Musical Score)

  On Junitaki Falls is a composition for live instrument and two artificial intelligent performers controlled by a central computer system that also operates as the score. Although Junitaki Falls exists as a geological feature ...
• Among Ideal Friends Evaluation Report 

  Fletcher, Richard (Technical Report)

  Evaluation reports of a family theatre touring consortium developed by The Spark Arts for Children in partnership with Libraries in the East Midlands
• WeAreCodex: Work Hard / Play Hard 

  Burrows, J. ; Johnson, V. ; Henckel, D. (Other)

  Work Hard / Play Hard was a participatory performance/workshop or CPD experience hosted by interdisciplinary arts atelier WeAreCodeX, in association with AntiUniversity.org. As a socially/economically engaged arts practice, ...
• Science and Poetry in 1790s Somerset: the Self-Experiment Narrative, the Aeriform Effusion and the Greater Romantic Lyric 

  Fulford, Tim (Article)

  An article on scientific and poetic experiments concerning air.
• Exquisite Remains 

  Burrows, J. ; Doyle, C. ; Kay, F. (Other)

  Exquisite Remains was a durational ekphrastic dialogue, performed by Jim Burrows, Claire Doyle and Frances Kay at Tate Liverpool as part of Concurrent 3: Exchanges through Improvisation on the 22nd of February 2017. ...
• Blasting out of the past: the politics of history and memory in Janez Jansa's Reconstructions 

  Burt, Ramsay, 1953- (Book chapter)

  This chapter analyzes three reenactments by the Slovenian director Janez Janša, two reconstructions of experimental performances made under communism in Ljubljana during the late 1960s and early 1970s by poets and performers ...
• 'Janis Raups, From The Refutation of Colour'. In: Robert Sheppard et el., Twitters for a Lark: Poetry of the European Union of Imaginary Authors, conducted and co-created by Robert Sheppard. 

  Perril, S. D. (Other)

  This collaboration with Professor Robert Sheppard involved inventing and writing as Latvian poet Janis Raups, as part of Sheppard's European Union of Imaginary Authors’ project.
• Artefact of Vision 

  Rahaim, Meg (Image)

  The theme “Distortion” celebrates our subjective view of the world and calls for prints which require a unique vantage point, both physically as well as conceptually, in order to be read. This topic draws upon the tricks ...
• Rupture, Extraction and Blurred Lines: an Exploration of the Politics and Aesthetics of Liminality in the Films Synophresia Nervosa and Private Life 

  Brand, Carina (Conference)

  The paper will screen and discuss sections from my films Synophresia Nervosa (2014) and Private Life (2015). Both films place the concept of extraction as central to the work, but this concept is extended to encompass ideas ...
• The Necropolitics of Social Reproduction 

  Brand, Carina (Conference)

  The paper will use Mbembe’s concept of necropolitics to investigate the role of social reproduction in capitalism. Absent from Mbembe’s analysis of necropolitics is the role of gender, the mother and sphere of the home ...
• A Materialist Re-reading of Abject Art: Non-reproduction, Abjection and Aesthetics 

  Brand, Carina (Conference)

  The article uses a materialist approach to readdress ‘abject art’. Abject art makes the body, its wastes and states not only the subject but also the material of art practice; it mimics the excessive productive waste of ...
• Under the Covers (Performance in Nottingham) 

  Garton, Rosie ; Rippel, IIdiko (Other)

  In an interactive media performance Zoo Indigo take their babies on tour so they can perform while you babysit. Combining autobiography and cutting edge technology, the performance duo attempt to re-enact the movie star ...
• Blueprint (Performance in Lyon) 

  Garton, Rosie ; Rippel, IIdiko (Conference)

  Blueprint was a collaboration with performers, non-performers and new technology. The piece sets up video links to the performers real-life mothers, and begins to investigate the performers heritage – culturally, genetically ...
• No Woman's Land (Performance extract in Bangkok) 

  Garton, Rosie ; Rippel, IIdiko (Conference)

  'No Woman's Land' (performance) is 1 hr 15 minute large-scale, multi-media performance work. In 1945, Ildikó’s grandmother Lucia Rippel, expelled from her place of birth, walked 220 miles across the fractured landscape of ...

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