• Adaptation as Exploitation 

  Cartmell, Deborah (Article)
• The identity of hybrid dance artist-academics working across academia and the professional arts sector 

  Doughty, Sally ; Fitzpatrick, Marie (Article)

  This article reports on interim findings from an evolving research project that sets out to examine and document the experiences of hybrid dance artist-academics working across academia and the professional arts sector. ...
• Line 

  Clarke, Louise (Article)
• The Case For Pencils 

  Clarke, Louise (Image)
• John Piper's Modernist Scenography 

  Warden, Claire (Article)

  As one of the pre-eminent British painters of the twentieth century, John Piper secured his legacy with his depictions of swirling seas, grand country houses, and secluded churches. However his contribution to the theatre ...
• Pop Up Play: A Digital Creative Play Space 

  Vear, Craig ; McConnon, L. (Article)

  This article discusses the research findings from a year-long investigation funded by a Digital R&D for the Arts grant. The overarching aims of this research project were to understand how arts and cultural organisations ...
• :Xenotopia - Exhibition Review 

  Paul Bayley ; Bayley, Paul (Article)
• :Xenotopia 

  Clarke, Louise (Working Paper)

  As a practice-based researcher, my enquiries probe if and how, our infant encounters with objects and space within the domestic and other environments, form and frame our perpetual journeys towards an ‘ideal’ location? How ...
• Will you play? Implications of audience interventions in improvised dance performance 

  Breslin, Jo ; Cowley, Jill ; Doughty, Sally (Article)

  This article addresses participation through audience interventions in the work of Quick Shifts Improvisation Collective. It reflects upon a range of approaches taken by Quick Shifts that invite audience members to participate ...
• Art in mind: evaluating the impact of participatory arts on improved mental wellbeing. 

  Bradfield, Emily (Article)
• Editorial Introduction and Editorial Essay ‘Falling between’: Opportunities and challenges of intermediality 

  Chatzichristodoulou, Maria ; Crossley, Mark (Article)

  This article frames the special issue by offering a broad reflection on the historical development of ideas that have informed debates concerning intermediality and its pedagogical contexts. It opens with a brief articulation ...
• Bodies and Technologies: The implications of technology in dance 

  Francksen, Kerry (Book chapter)

  This chapter explores technology’s role as a key creative agent within digital dance performance making. Using the author’s own embodied experiences of moving in media-rich environments, the tensions that can exist in the ...
• "Folk Art * Sex Fantasy * Kosova Myths * London diaries"
 

  Meredith-Vula, L. A. (Other)

  "Folk Art * Sex Fantasy * Kosova Myths * ‏ Artist Statement Normally people hide their contradictions. In this exhibition I wish to show mine in work made over the past three decades. I want to unify all the elements of ...
• Blood Memory 

  Meredith-Vula, L. A. (Other)

  Blood Memory, shown in the National Gallery of Kosova in March 2015, consisted of 40 images from a body of work I carried out in the politically turbulent years of 1990-91. At that time Yugoslavia, where I was born, was ...
• Lamentations 

  Young, John (Recording, musical)

  This work investigates the projection of narrative in acousmatic music through the integration of a minimal amount of spoken text and digitally processed real world sounds. Within that frame a further imperative is evocation ...
• The World's Largest Water Fight, or the Battle for the Soul of a Festival: Songkran in Thailand and South East Asia. 

  Newbold, Chris (Book chapter)

  This chapter explores the origins and meanings of the Songkran Festival in Thailand. It looks at its history and development and discusses how it has changed over the decades particularly as tourism has become a major ...
• Brink 

  Young, John (Recording, musical)

  Brink attempts to convey a form characterised by continuous sonic renewal and evolution. I like to think of sound as physical matter and, by blending parallel processes of transformation and recurrence, this work aims to ...
• Red Sky 

  Young, John (Musical Score)

  Sir Thomas Armstrong, a former principal of the Royal Academy of Music and a veteran of the First World War, once stated that there is a falsity about the reporting of all battle scenes. In the face of the most shatteringly ...
• An Angel at Mons 

  Young, John (Recording, musical)

  John Ewings was among the few people who claimed to have witnessed the vision of an angel on the battlefield at Mons in August 1914. In 1980, aged 101, he gave a compelling account of his experience in an interview for ...
• Section 3 Using Festivals: Culture and Identity; Introduction 

  Newbold, Chris (Book chapter)

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