• Theatre, Exhibition, and Curation: Displayed & Performed (Routledge, 2016) by Georgina Guy 

  Curtis, Harriet (Article)

  This is a book review of: Guy, Georgina (2016) Theatre, Exhibition and Curation: Displayed and Performed. Oxon and New York: Routledge.

• Live Art in L.A.: Performance in Southern California 1970-1983 (Routledge, 2012), ed. by Peggy Phelan. 

  Curtis, Harriet (Article)

  This is a review of: Phelan, Peggy (ed.) (2012). Live Art in L.A.: Performance in Southern California 1970-1983. London and New York: Routledge.

• From Painting to Performance: Figuring the Abject in Los Angeles Art. 

  Curtis, Harriet (Article)

  This is a review of: Duncan, Michael (2012). L.A. RAW: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy, exh. cat. Santa Monica: Foggy Notion Books and Pasadena Museum of California Art, and ...

• Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance (University of Minnesota Press, 2015), by Siona Wilson. 

  Curtis, Harriet (Article)

  This is a review of: Wilson, Siona (ed.) (2015) Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance. Minneapolis: University of Minnesota Press.

• On Stage: The Theatrical Dimension of Video Image (Intellect, 2016), by Mathilde Roman. 

  Curtis, Harriet (Article)

  This is a review of: Roman, Mathilde (2016), trans. by Charles Penwarden. On Stage: The Theatrical Dimension of Video Image. Chicago: Intellect.

• The Sensible Stage: Staging and the Moving Image (University of Chicago Press, rev. edn, 2017), ed. by Bridget Crone. 

  Curtis, Harriet (Article)

  This is a book review of: Crone, Bridget (ed.) (2017). The Sensible Stage: Staging and the Moving Image. Bristol and Chicago: Intellect.

• The Live Art Almanac Volume 4 

  Curtis, Harriet; Keidan, Lois; Wright, Aaron (Book)

  The Live Art Almanac Volume 4 is a collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations ...

• Diasporic cultures and colonialism: Katherine Dunham and Berto Pasuka's dance translations 

  Burt, Ramsay (Book chapter)

  This paper discusses two examples of the translation of African diasporic dance forms from the Caribbean to Great Britain and the United States in the 1930s and 1940s. It examines the American choreographer Katherine Dunham ...

• Fifty Years since Carolee Schneemann’s Meat Joy (1964): A Review of this Iconic, Historical Performance, its Reiterations, and Influence in Performance Art History 

  Curtis, Harriet (Article)

• Introduction: Kira O'Reilly: Untitled (Bodies) 

  Curtis, Harriet (Book chapter)

• In Bad Taste? Vomit and Disgust in Paul McCarthy’s Performances of the 1970s 

  Curtis, Harriet (Article)

  In the 1970s, Los Angeles-based artist Paul McCarthy made visceral performances which appealed to audiences’ innermost feelings of disgust and revulsion. Using everyday materials – notably, consumable foodstuffs – such as ...

• Kira O'Reilly: Untitled (Bodies) 

  Curtis, Harriet; Hargreaves, Martin (Book)

  This publication is the first major survey of the interdisciplinary practices of Kira O’Reilly. O’Reilly’s works have been exhibited and presented internationally, across many different formats, frames and contexts since ...

• Restaging Feminism in Los Angeles: Three Weeks in January (2012): Three Weeks in May (1977) 

  Curtis, Harriet (Article)

• Performance Legacies in Print and Practice: High Performance Magazine, 1978-1983 

  Curtis, Harriet (Article)

• Dressing to Delight: The Spectacle of Costume and the Character of the Fop on the Restoration Stage, 1660-1714 

  Bakewell, Lyndsey (Article)

  The costumes of the Restoration period, many of which were donated by elite patrons, were infused with declarations of character, class and social acceptance. Dress, and consequently costume, in the theatres of the Restoration ...

• Potential Unlocked: Art in Prison 

  Carpenter, Benedict; Knight, Victoria (Presentation)

  Lecture Title: Potential Unlocked. Participants: Ben Carpenter (ADH) and Victoria Knight (HLS) Description: Potential Unlocked is a collaborative project to deliver visual arts workshops in custodial settings in ...

• Avoiding Capture 

  Burt, Ramsay, 1953- (Article)

  This essay discusses three recent British contemporary dance works that radically rework the spatial relation between audience and performer. These are: Nicola Conibere’s Assembly (2013), Katye Coe’s (To) Constantly Vent ...

• Coping with loneliness at University: a qualitative interview study with students in the UK 

  Vasileiou, Konstantina; Barnett, Julie; Barreto, Manuela; Vines, John; Atkinson, Mark; Long, Kiel; Bakewell, Lyndsey; Lawson, Shaun; Wilson, Michael (Article)

  Leaving home to attend University constitutes a transition that is often characterized by an increased risk of loneliness, a psychological state that predicts poor mental health outcomes. Informed by a comprehensive ...

• The Holding Space: Body Of (As) Knowledge 

  Doughty, Sally; Krische, Rachel; Kendall, Lisa (Book chapter)

  Body Of (As) Knowledge (BOK) is a collaborative practice-based research project reflecting and expanding upon the practices of dance artist-scholars Sally Doughty, Lisa Kendall and Rachel Krische. BOK examines the body ...

• I Notice that I'm Noticing 

  Doughty, Sally (Book chapter)

  This essay considers the concept of noticing in improvisational movement practices and interrogates how what and how we notice can have a significant impact on movement material that is spontaneously composed. This essay ...

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