Sju ... Who?

De Montfort University Open Research Archive

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dc.contributor.author Young, John
dc.date.accessioned 2011-03-23T11:31:37Z
dc.date.available 2011-03-23T11:31:37Z
dc.date.issued 2001
dc.identifier.citation Young, J. (2001) Sju ... Who? Proceedings of Music Without Walls? Music Without Instruments? De Montfort University, Leicester. June 2001. en
dc.identifier.uri http://www.mti.dmu.ac.uk/events-conferences/0106nowalls/papers/youngj.pdf
dc.identifier.uri http://hdl.handle.net/2086/4771
dc.description Sound examples accompanying the paper are available on this site. en
dc.description.abstract This paper presents a discussion of the motivations and techniques used in the author’s electroacoustic work Sju. The piece is based on digital recordings of a Swedish word that, in daily Swedish, is pronounced in two distinct ways, thereby presenting a real-life sonic opposition ready for musical exploration. This is related to the concept of sonological competence (drawn from soundscape studies) since both versions of the word are awkward to pronounce for non-Swedish speakers, an issue stemming from the composer’s first-hand experience with Swedish. The approach used in the manipulation of these sounds is outlined, especially the development of material around the variations in noise attack which define the different ‘versions’ of the word, and extrapolation of the play between noise and speech into the larger formal structure of the work. en
dc.language.iso en en
dc.publisher De Montfort University en
dc.subject electroacoustic composition en
dc.subject sonological competence en
dc.subject vocal sound en
dc.subject Swedish language en
dc.subject granular synthesis en
dc.title Sju ... Who? en
dc.type Conference en
dc.researchgroup Music, Technology and Innovation Research Centre en
dc.peerreviewed Yes en


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