The extended environment.

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dc.contributor.author Young, John
dc.date.accessioned 2011-03-22T10:21:24Z
dc.date.available 2011-03-22T10:21:24Z
dc.date.issued 1994
dc.identifier.citation Young, John. (1994) The Extended Environment. Aarhus: Proceedings of the 1994 International Computer Music Conference. Aarhus: Danish Institute of Electroacoustic Music: pp. 23-26. en
dc.identifier.uri http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=icmc;idno=bbp2372.1994.007;cc=icmc;view=image
dc.identifier.uri http://hdl.handle.net/2086/4767
dc.description.abstract The potential in electroacoustic music to amalgamate sounds of natural real-world sources with the powerful signal processing and synthesis offered by computers makes possible interplay between different levels of sonic "reality" and "abstraction". A range of works is discussed in terms of this reality-abstraction continuum, suggesting ways in which articulation of the continuum, through mediation and juxtaposition, offers useful levels of structural interpretation in electroacoustic music. en
dc.language.iso en en
dc.publisher International Computer Music Association en
dc.subject electroacoustic music en
dc.subject reality-abstraction continuum en
dc.subject sound source recognition en
dc.subject sound transformation en
dc.title The extended environment. en
dc.type Conference en
dc.researchgroup Music, Technology and Innovation Research Centre en
dc.peerreviewed Yes en


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