Formación de la forma [Forming Form]

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dc.contributor.author Young, John
dc.date.accessioned 2011-03-18T14:03:38Z
dc.date.available 2011-03-18T14:03:38Z
dc.date.issued 2010
dc.identifier.citation Young, J. (2010) Formación de la forma. In: Minsburg, R. and Landy, L. (eds.), En el límite: Escritos sobre arte, ciencia y tecnología. Buenos Aires: Depatamento de Humanidades y Artes, Universidad Nacional de Lanús. en
dc.identifier.issn 9789871326549
dc.identifier.uri http://hdl.handle.net/2086/4754
dc.description.abstract The seemingly 'infinite' range of sound types available in electroacoustic music creates new questions and opportunities for the design of musical forms. Form is regarded here as a the principle by which sound identities, transformative and ordering processes can project fundamental structural morphologies and messages. Three perspectives are offered on forming principles in electroacoustic music: rhetoric, moment form and morphic form. en
dc.language.iso es en
dc.publisher Universidad Nacional de Lanús en
dc.subject Electroacoustic music en
dc.subject musical form en
dc.subject moment form en
dc.subject musical rhetoric en
dc.subject morphic form en
dc.title Formación de la forma [Forming Form] en
dc.type Book chapter en
dc.researchgroup Music, Technology and Innovation Research Centre en
dc.peerreviewed Yes en


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