Women performing masculine clumsiness

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dc.contributor.author Burt, Ramsay, 1953-
dc.date.accessioned 2009-09-09T08:44:34Z
dc.date.available 2009-09-09T08:44:34Z
dc.date.issued 2009-02-07
dc.identifier.citation Burt, R. (2009) Women performing masculine clumsiness. Playing for Laughs 2009: On Comedy in Performance, De Montfort University en
dc.identifier.uri http://hdl.handle.net/2086/2474
dc.description.abstract This paper discusses Lea Anderson\'s 2004/5 revival of her 1989 piece Greetings as part of the programme Double Take. Greetings, which draws on imagery from the Marx Brothers, Morecambe and Wise and other male comedy acts, takes a humorous look at the way male bonding takes place through the way men greet one another. When initially performed in 1989 by two men, one of whom was an untrained and unskilful dancer, part of its humour depended on expansive male clumsiness. Its humour gently hints at the lenient way in which society excuses most men for failing to live up to what is in effect an unattainable masculine ideal. Its later revival by women dancers complicates what had initially been a relatively straightforward, if critical examination of the performance of masculinity. By doing so it created a humorous space in which it became temporally possible for women dancers to escape social norms and perform alternative identities. en
dc.language.iso en en
dc.subject Cholmondeleys en
dc.subject Featherstonehaughs en
dc.subject dance en
dc.subject humour en
dc.subject Critchley en
dc.subject Marx brothers en
dc.subject Anderson en
dc.title Women performing masculine clumsiness en
dc.type Other en
dc.researchgroup Dance Research


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