'"The Film Gone Male:" women and the transition to sound in the British film industry 1929-1932'
Taking its cue from Dorothy Richardson’s essay, ‘The Film Gone Male’ written for the critical, Left-wing British film publication Close Up in 1932, this article looks at women working in the British film industry during the transition from silent to sound cinema between 1929 and 1932. It considers the effects of new sound technology on women’s roles in front of and behind the camera from production to reception and critique. It also questions whether sound technology further marginalised women as producers of cinema and interrogates whether synchronised sound masculinised film as Richardson asserted.
The file attached to this record is the author's final peer reviewed version. The Publisher's final version can be found by following the DOI link.
Citation : Porter, L. (2019) "The Film Gone Male": women and the transition to sound in the British film industry 1929-1932. Women's History Review,
ISSN : 0961-2025
Research Institute : Cinema and Television History Institute (CATHI)
Peer Reviewed : Yes
- Leicester Media School