Visual Theogonies: Chance, control, and automation in algorithmic art
This short article explores relations between chance and control in the field of algorithmic art, using as a case study the series of artworks Visual Theogonies (2014), which arose out of a playful game with the poem ‘Theogony: The Origin of the Gods’, by the Greek poet Hesiod.
Citation:Poltronieri, F. A. (2018) The Visual Theogonies: Chance, control, automation and algorithmic art. Journal of Gaming & Virtual Worlds, 10 (3), pp. 287–293
Research Group:Institute of Creative Technologies
- Leicester Media School