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dc.contributor.authorAdewole, Funmien
dc.date.accessioned2018-06-07T08:21:26Z
dc.date.available2018-06-07T08:21:26Z
dc.date.issued2018-11
dc.identifier.citationAdewole, F (2018) James Mweu and Kunja Dance Theatre: Contemporary Dance as African Cultural Production. In: Hutchinson, Y. and Okoye, C. (Eds.) African Theatre: 17, Oxford: Boydell & Breweren
dc.identifier.isbn9781847011862
dc.identifier.urihttp://hdl.handle.net/2086/16261
dc.description.abstractThis article argues that contemporary dance in Africa should be considered to be a form of African cultural production rather an imported Euro-American practice on the basis that it has been adopted by choreographers in Africa as a means of expressing their cultural citizenship in relation to their countries and the continent. They consider contemporary dance to be a transnational cultural practice which is feed by roots in many geographical places. James Mweu a Kenyan choreographer trained in Kenya is discussed as a case study.en
dc.language.isoenen
dc.publisherBoydell and Breweren
dc.subjectContemporary Dance in Africaen
dc.subjectAfrican Cultural Productionen
dc.subjectKenyan Artsen
dc.titleJames Mweu and Kunja Dance Theatre: Contemporary Dance as African Cultural Productionen
dc.typeBook chapteren
dc.identifier.doihttps://doi.org/10.1017/9781787443150.002
dc.researchgroupCentre for Interdisciplinary Research in Dance (CIRID)en
dc.peerreviewedYesen
dc.funderN/Aen
dc.projectidN/Aen
dc.cclicenceCC-BY-NCen
dc.date.acceptance2018-04-26en
dc.researchinstituteInstitute of Drama, Dance and Performance Studiesen


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