Blasting out of the past: the politics of history and memory in Janez Jansa's Reconstructions
This chapter analyzes three reenactments by the Slovenian director Janez Janša, two reconstructions of experimental performances made under communism in Ljubljana during the late 1960s and early 1970s by poets and performers associated with the Pupilija group, and one which subversively reappropriates canonical contemporary dance works from the United States, Germany, and Japan. The two earlier works, it argues, interrogate the utopian ideals espoused by the communist partisans who freed Yugoslavia from German occupation during World War II. It develops a framework for this analysis by drawing on Walter Benjamin’s discussion of the philosophy of history and on Michel de Certeau’s work on memory and the everyday. It places the three reconstructions in their social, historical, and political context and evaluates their meanings in relation to misperceptions about art in post-communist countries.
Citation : Burt, R (2017) Blasting out of the past: the politics of history and memory in Janez Jansa's Reconstructions in M. Franko (ed) The Oxford Handbook of Dance and Reenactment. New York: Oxford University Press. pp. 339-354
ISBN : 9780199314201
Research Group : Centre for Interdisciplinary Research in Dance (CIRID)
Research Institute : Institute of Drama, Dance and Performance Studies
- School of Arts