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dc.contributor.authorBoden, Margaret A.en
dc.contributor.authorEdmonds, Ernesten
dc.date.accessioned2017-10-25T09:37:24Z
dc.date.available2017-10-25T09:37:24Z
dc.date.issued2018
dc.identifier.citationBoden, M. A., and Edmonds, E. A. (2018 to appear) From Fingers to Digits: Towards a New Aesthetic. MIT Press, Cambridge MAen
dc.identifier.urihttp://hdl.handle.net/2086/14691
dc.description.abstractThis book is about computer art, and its relations to art of a more traditional kind. Specifically, the book focuses on generative art, in its various forms, but particularly on art where the artists use programming, computer code, as a significant element of their work. We also deal with the context of such art, so some chapters consider much of what is often called ‘digital art’, but the focus remains on the generative. Much has been written about digital art in general and we do not repeat what is easily read elsewhere except where understanding the context requires it/ At the core of computing is software; computer programming; code. Perhaps rather strangely, that the role of code in computer art has received relatively little attention and hence is our primary focus. We aim to indicate important continuities, as well as the many exciting differences.en
dc.language.isoen_USen
dc.publisherMIT Pressen
dc.subjectComputeren
dc.subjectArten
dc.subjectPhilosophyen
dc.subjectHistoryen
dc.titleFrom Fingers to Digits: Towards a New Aestheticen
dc.typeBooken
dc.researchgroupInstitute of Creative Technologiesen
dc.peerreviewedYesen
dc.explorer.multimediaNoen
dc.funderN/Aen
dc.projectidN/Aen
dc.cclicenceN/Aen
dc.date.acceptance2017-09-01en
dc.researchinstituteInstitute of Creative Technologies (IOCT)en
dc.researchinstituteInstitute of Art and Designen


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