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dc.contributor.authorBurt, Ramsay, 1953-
dc.date.accessioned2008-08-14T12:54:18Z
dc.date.available2008-08-14T12:54:18Z
dc.date.issued2008
dc.identifier.citationBurt, R. (2008) Revisiting "No To Spectacle": self unfinished and Véronique Doisneau. Forum Modernes Theater, 23 (1), pp. 49-59.en
dc.identifier.issn0930-5874
dc.identifier.urihttp://hdl.handle.net/2086/145
dc.description.abstractThis essay presents readings of Jérôme Bel's 'Veronique Doisneau' and Xavier Le Roy's 'Self Unfinished' that examines the social and political implications of their use of experimental artistic strategies. It places these in the context of recent discussions of relational aesthetics and of Adorno's discussion of the inhuman.en
dc.description.statementofresponsibilityThis is the authors version of the article. The version of record can be found in Forum Modernes Theater, 23 (1), pp. 49-59.
dc.languageenen
dc.language.isoenen
dc.publisherNarr Francke Attempto Verlag GmbH + Co. KG.en
dc.subjectdanceen
dc.subjectperformanceen
dc.subjectBelen
dc.subjectLe Royen
dc.subjectrelational aestheticsen
dc.subjectchoreographyen
dc.subjectethicsen
dc.subjectBourriauden
dc.subjectAdornoen
dc.titleRevisiting "No to spectacle": self unfinished and Véronique Doisneau.en
dc.typeArticleen
dc.researchgroupDance Research
dc.researchinstituteInstitute of Drama, Dance and Performance Studiesen


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