Revisiting "No to spectacle": self unfinished and Véronique Doisneau.

De Montfort University Open Research Archive

Show simple item record

dc.contributor.author Burt, Ramsay, 1953-
dc.date.accessioned 2008-08-14T12:54:18Z
dc.date.available 2008-08-14T12:54:18Z
dc.date.issued 2008
dc.identifier.citation Burt, R. (2008) Revisiting "No To Spectacle": self unfinished and Véronique Doisneau. Forum Modernes Theater, 23 (1), pp. 49-59. en
dc.identifier.issn 0930-5874
dc.identifier.uri http://hdl.handle.net/2086/145
dc.description.abstract This essay presents readings of Jérôme Bel's 'Veronique Doisneau' and Xavier Le Roy's 'Self Unfinished' that examines the social and political implications of their use of experimental artistic strategies. It places these in the context of recent discussions of relational aesthetics and of Adorno's discussion of the inhuman. en
dc.description.statementofresponsibility This is the authors version of the article. The version of record can be found in Forum Modernes Theater, 23 (1), pp. 49-59.
dc.language en en
dc.language.iso en en
dc.publisher © Narr Francke Attempto Verlag GmbH + Co. KG. en
dc.subject dance en
dc.subject performance en
dc.subject Bel en
dc.subject Le Roy en
dc.subject relational aesthetics en
dc.subject choreography en
dc.subject ethics en
dc.subject Bourriaud en
dc.subject Adorno en
dc.title Revisiting "No to spectacle": self unfinished and Véronique Doisneau. en
dc.type Article en
dc.researchgroup Dance Research


Files in this item

This item appears in the following Collection(s)

Show simple item record