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dc.contributor.authorGordon, Alastairen
dc.date.accessioned2016-05-06T10:00:07Z
dc.date.available2016-05-06T10:00:07Z
dc.date.issued2014-04
dc.identifier.citationGordon A, (2014) Subcultural Entrance Practices in UK Punk, 1976-2001. In: The Subcultures Network (2015) (Eds) Subcultures, Popular Music and Social Change. Newcastle upon Tyne: Cambridge Scholars Press. pp. 155-174en
dc.identifier.isbn9781443859455
dc.identifier.urihttp://hdl.handle.net/2086/12040
dc.description.abstractThis chapter sets out to answer three questions: how did people enter punk subculture, why did they become involved, and what was their experience of entry? It presents the case that subcultural entrance is primarily an investigative practice propelling the participant towards an authentically styled knowledge, based around the discovery of what is deemed to be authentic punk rock. The chapter pursues such questions primarily through construction of an explanatory model detailing the social role of music and peer group relations within punk subculture.en
dc.language.isoenen
dc.publisherNewcastle upon Tyne: Cambridge Scholars Pressen
dc.subjectSubculturesen
dc.subjectPunken
dc.subjectCultural Studiesen
dc.subjectEthnographyen
dc.subjectCCCSen
dc.titleSubcultural Entrance Practices in UK Punk Cultureen
dc.typeBook chapteren
dc.researchgroupMedia Discourse Groupen
dc.peerreviewedYesen
dc.funderN/Aen
dc.projectidN/Aen
dc.cclicenceN/Aen
dc.date.acceptance2013-12-31en
dc.researchinstituteMedia and Communication Research Centre (MCRC)en


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