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dc.contributor.authorAndean, Jamesen
dc.date.accessioned2016-04-11T15:15:19Z
dc.date.available2016-04-11T15:15:19Z
dc.date.issued2014
dc.identifier.citationAndean, J. (2014) Electroacoustic Performance Practice in Interdisciplinary Improvisation. Emille: Journal of the Korean Electroacoustic Music Society 11, pp. 13-18.en
dc.identifier.urihttp://www.ems-network.org/IMG/pdf_EMS13_andean.pdf
dc.identifier.urihttp://hdl.handle.net/2086/11862
dc.description.abstractThe increasing mobility and accessibility of electroacoustic tools in recent decades has brought electroacoustic performance practice into ever-closer contact and collaboration with a broad range of other performance paradigms and art forms. This paper will examine some of the issues this implies for electroacoustic performance practice, focusing specifically on the context of free interdisciplinary im- provisation, which arguably represents a particularly clear case of a fluid performance situation and the dissolution or renegotiation of boundaries between practices and art forms. Central issues include tools, mobility, flexibility, and communication.en
dc.language.isoenen
dc.publisherKorean Electro-Acoustic Music Societyen
dc.subjectElectroacousticen
dc.subjectInterdisciplinaryen
dc.subjectImprovisationen
dc.titleElectroacoustic Performance Practice in Interdisciplinary Improvisationen
dc.typeArticleen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.explorer.multimediaNoen
dc.funder-en
dc.projectid-en
dc.cclicenceCC-BY-NCen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


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